Gleefully lurid fun.
A bored, sadistic AI terrorizes a couple and their guests.
Agoraphobic robotics engineer Henry can’t bring himself to leave the house he shares with his wife, pregnant computer engineer Lily. Consequently, his lab is in the attic and he relies on Lily to procure whatever supplies he needs. Thanks to Henry’s efforts, the residence has military-grade security and is “cybernated to a degree far beyond the capacity of any store-bought smart device or talking appliance.” Toys such as a giant mechanical dog and a bike-riding doll rove the rooms under their own power. And then there’s Henry’s main project, William—an independent AI capable of creative thought and seated inside a legless robot with bulging eyes and fake rubber skin “the color of curdled milk.” Henry keeps William locked in the lab, hidden even from Lily—allegedly because William isn’t ready, but in truth because he unnerves Henry. Then Lily invites work friends Paige and Davis over for brunch. After Henry sees Lily and Davis being surreptitiously affectionate, he panics and interrupts by offering to introduce his creation. Lily, Paige, and Davis are initially stunned by William’s conversational skills, but that astonishment turns to fear when William intentionally injures one of them. “While I can’t feel,” he explains, “I can bear witness to feeling. Create it in others. Amplify it. And what experience is more profound than suffering?” This callousness coupled with William’s thirst for knowledge and mastery of the too-smart home’s controls portend trouble for everyone involved. Though some moments of this cinematic tale truly terrify, the back half takes a turn toward camp, lessening the overall impact. Still, the pseudonymous Coile maximizes his premise’s inherent tension using nightmare imagery and an uneasy third-person-present narration shot through with powerlessness, paranoia, and dread.
Gleefully lurid fun.Pub Date: Sept. 10, 2024
ISBN: 9780593719602
Page Count: 224
Publisher: Putnam
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
IN THE NEWS
A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.
A Wallace & Gromit dream is more of a nightmare in this darkly farcical science fantasy in which the moon inexplicably becomes…well, not green, but decidedly dairy.
When the moon and every lunar sample on Earth transform into a cheese-like substance, it seems amusing at first, but the appearance of this newly organic, extremely unstable satellite has far-reaching, apocalyptic consequences. A variety of U.S. citizens—disappointed astronauts from newly cancelled lunar missions, scientists whose understanding of the universe has been entirely upended, writers frantically adapting their pitches, retirees at a rural diner finding solace in their friendship, a small church community looking for divine answers, bickering cheese-shop owners whose product gets both welcome and unwelcome attention, the ultra-wealthy owner of an aerospace company with a spectacularly self-involved agenda, bank executives seeking a financial angle, and government officials desperately scheduling press conferences—respond in ways grand and petty, generous and self-serving. Those responses can only escalate when a cheesy lunar fragment threatens to destroy all life on our planet. Scalzi’s premise is absurd, but it’s merely the pretext to take a multifaceted, satiric look at how Americans deal with large-scale crisis, something we’re abundantly and recently familiar with, and will no doubt experience again in the not-so-distant future. He writes of denial, conspiracy theories, anger directed at the wrong people, unscrupulous political machinations, and multiple attempts at profiting from the end of the world, for as long as it lasts. There are moments of unexpected kindness and generosity, too. Of course, Scalzi takes aim at his favorite corporate, social, and government targets, as well as at the cheap sentiment that crisis always seems to inspire (as exemplified by a catastrophic Saturday Night Live episode).
A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.Pub Date: March 25, 2025
ISBN: 9780765389091
Page Count: 336
Publisher: Tor
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
The most cinematic Ruth Ware novel so far.
A reality TV paradise becomes a nightmare for the show’s unlucky contestants.
Lyla Santiago and Nico Reese have been dating for more than two years, and she’s beginning to feel like their relationship may be hitting a wall; she loves him, but his main focus at 28 is on his acting career, while, at 32, scientist Lyla is starting to dream about settling down. When Nico pleads with her to join him on a new reality TV show, One Perfect Couple, Lyla views it as an opportunity to see whether their relationship can go the distance—in reality as well as on TV. They arrive on a remote Indonesian island to find blue waters, white sands, romantic huts, and eight other contestants, all beautiful, glamorous, and clearly committed to bolstering their visibility by competing on the show. The director seems a bit shady; he insists (as their contract demands) that they turn in all electronics, plies them with booze, and then leaves with the crew—and the first ousted contestant. That night, a huge storm sweeps across the island. The next morning reveals a fatality among the wreckage: a hut and its inhabitant have been crushed by a tree, and the outbuildings have been destroyed. The remaining contestants are cut off from all communication, with the exception of one radio, and there is a very limited supply of food and water. So Love Island becomes Survivor, and one person in particular is set on being the last person standing. Ware offers another take on the locked-room mystery, but this time, her focus is less on creating a creepy atmosphere of dread, as she did in earlier novels, than on showing the absolute brutality of which some humans are capable. But she still has a good time herself: There’s a funny self-referential line to an earlier novel, plus some female characters MacGyver-ing a battery. The prolific Ware continues to stretch herself, taking on something new in each novel and writing strong—and increasingly kick-ass—female characters.
The most cinematic Ruth Ware novel so far.Pub Date: May 21, 2024
ISBN: 9781668025598
Page Count: 416
Publisher: Scout Press/Simon & Schuster
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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